Delicatessen (Jean-Pierre Jeunet and Marc Caro, 1991)Ģ. Three Colours: Blue (Krzysztof Kieślowski, 1993)Ĩ. Man With a Movie Camera (Dziga Vertov, 1929)ħ. In the Mood for Love (Wong Kar-wai, 2000)Ĥ. Melis Behlil – Kadir Has University (Turkey)Ģ. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)ĩ. The Hour of the Furnaces (Octavio Getino and Fernando E Solanas, 1968)ħ. Grave of the Fireflies (Isao Takahata, 1988)ĥ. Beauty and the Beast (Jean Cocteau and René Clément, 1946)ĩ. Still Walking (Hirokazu Kore-eda, 2008)Ĩ. The 400 Blows (François Truffaut, 1959)ħ. The Tin Drum (Volker Schlöndorff, 1979)Ĥ. City of God (Fernando Meirelles and Kátia Lund, 2002)ĩ. Day for Night (François Truffaut, 1973)ġ. Bob le Flambeur (Jean-Pierre Melville, 1956)ĩ. Band of Outsiders (Jean-Luc Godard, 1964)ħ. The White Ribbon (Michael Haneke, 2009)ġ. Touki Bouki (Djibril Diop Mambéty, 1973)ġ0. In the Mood for Love (Wong Kar-wai, 2000)ĥ. The Wages of Fear (Henri-Georges Clouzot, 1953)Ĭameron Bailey – Toronto International Film Festival (Canada)Ĥ. The Battle of Algiers (Gillo Pontecorvo, 1966)ĩ. The Lives of Others (Florian Henckel von Donnersmarck, 2006)Īna Maria Bahiana – (US)Ħ. A City of Sadness (Hou Hsiao-hsien, 1989)ħ. Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (Chantal Akerman, 1975)Ĥ. The Spirit of the Beehive (Victor Erice, 1973)ģ. The Secret in Their Eyes (Juan José Campanella, 2009)Ģ. Pan’s Labyrinth (Guillermo del Toro, 2006)ġ0. The Girl with the Dragon Tattoo (Niels Arden Oplev, 2009)ħ. Untouchable (Olivier Nakache and Éric Toledano, 2011)Ħ. City of God (Fernando Meirelles and Kátia Lund, 2002)Ĥ. Stephen 'Spling' Aspeling – Spl!ng (South Africa)ġ. Life is Beautiful (Roberto Benigni, 1997) Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)ĩ. The Blue Angel (Josef von Sternberg, 1930)Ĩ. Bicycle Thieves (Vittorio De Sica, 1948)ħ. Au Hasard Balthazar (Robert Bresson, 1966)Ħ. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)Īygun Aslanli – (Azerbaijan)ĥ. Aguirre, Wrath of God (Werner Herzog, 1972)ġ0. L’Avventura (Michelangelo Antonioni, 1960)ĩ. Rocco and His Brothers (Luchino Visconti, 1960)Ĩ. Bicycle Thieves (Vittorio De Sica, 1948)Ħ. Celine and Julie Go Boating (Jacques Rivette, 1974)Ĥ. The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)ģ. The Rules of the Game (Jean Renoir, 1939)Ģ. Black God, White Devil (Glauber Rocha, 1964)ġ. The Testament of Dr Mabuse (Fritz Lang, 1933)ħ. Inácio Araujo – Folha de São Paulo (Brazil)Ĥ. City of God (Fernando Meirelles and Kátia Lund, 2002) Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)ġ0. Battleship Potemkin (Sergei M Eisenstein, 1925)Ĩ. Aguirre, Wrath of God (Werner Herzog, 1972)ĥ. Ghost in the Shell (Mamuru Oshii, 1995)Ģ. Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1973)ĩ. The Exterminating Angel (Luis Buñuel, 1962)Ĩ. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)Ħ. The Piano Teacher (Michael Haneke, 2001)ĥ. Aguirre, Wrath of God (Werner Herzog, 1972)Ĥ. Matthew Anderson – The New York Times (UK)ģ. Persepolis (Vincent Paronnaud and Marjane Satrapi, 2007)ġ0. The Return of the Prodigal Son (Youssef Chahine, 1976)Ħ. Ola Alsheikh – Film critic (Palestinian territories)Ĥ. City of God (Fernando Meirelles and Kátia Lund, 2002)ġ0. The Little Girl Who Sold the Sun (Djibril Diop Mambéty, 1999)ĩ. Battleship Potemkin (Sergei M Eisenstein, 1925)ħ. Children of Heaven (Majid Majidi, 1997)Ĥ. La Dolce Vita (Federico Fellini, 1960)ġ0. The Young and the Damned (Luis Buñuel, 1950)ĩ. The 400 Blows (François Truffaut, 1959)Ĩ. In the Mood for Love (Wong Kar-wai, 2000)Ģ. The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)ġ. The Seventh Seal (Ingmar Bergman, 1957)ġ0. The Rules of the Game (Jean Renoir, 1939)ģ. L’Eclisse (Michelangelo Antonioni, 1962)Ģ. The Rules of the Game (Jean Renoir, 1939)Ħ. Any ties remaining after this were split by first place votes: films with more critics placing them at number one ranked higher.Ĥ. We split ties by the total number of votes: films with more votes ranked higher. We awarded 10 points per first ranked film, 9 per second ranked film, and so on down to 1. Each critic voted for 10 films, ranking them 1 (favourite) to 10 (10th favourite). We approached hundreds of film experts - critics, industry figures, academics - and 209 from 43 countries responded by filling in an online poll in August and September 2018.
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